Webtoons Market Trends, Growth Analysis, Investigation by Regions, Types, Applications and Analysis of Key Players

QY Research released a latest market research report on the Global Webtoons market, which is segmented by region (country), company, by Purity, and by Application. Players, stakeholders, and other participants in the global Webtoons market will be able to gain the upper hand as they use the report as a powerful resource. The segmental analysis focuses on sales, revenue and forecast by region (country) and by Application for the period 2017-2028.

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Summary
Market Analysis and Insights: Global Webtoons Market
The global Webtoons market size is projected to reach US$ 26,213.59 million by 2028, from US$ 3,673.47 million in 2021, at a CAGR of 30.99% during 2022-2028.

Global Webtoons Scope and Market Size
Webtoons market is segmented by players, region (country), by Type, and by Application. Players, stakeholders, and other participants in the global Webtoons market will be able to gain the upper hand as they use the report as a powerful resource. The segmental analysis focuses on revenue and forecast by Type and by Application in terms of revenue and forecast for the period 2017-2028.

By Company
Naver
Kakao
Lezhin Entertainment (KidariStudio)
Tappytoon
ToryComics
Toomics Global
Ridibooks (RIDI Corp)
KidariStudio
Webtoon Factory
Izneo Webtoon
Stela
Graphite
Webcomics (SideWalk Group)
SPOTTOON (Rolling Story)
Mr Blue
Marvel Unlimited
Tencent
Amazia
Shuueisha
Comico (NHN)
U17
MangaToon
Kuaikan
Dongman Entertainment
Manman Manhua
Bilibili Comics

Segment by Type
Subscription Based
Advertisement Based


Segment by Application
Mobile Phone
PC/Notebook
Tablet Computer
Others

The Goal of the Report
1.To study and analyze the global Webtoons consumption (value & volume) by key regions/countries, type and application, history data from 2017 to 2022, and forecast to 2028.
2.To understand the structure of Webtoons market by identifying its various subsegments.
3.Focuses on the key global Webtoons manufacturers, to define, describe and analyze the sales volume, value, market share, market competition landscape, SWOT analysis and development plans in next few years.
4.To analyze the Webtoons with respect to individual growth trends, prospects, and their contribution to the total market.
5.To share detailed information about the key factors influencing the growth of the market (growth potential, opportunities, drivers, industry-specific challenges, and risks).
6.To project the consumption of Webtoons submarkets, with respect to key regions (along with their respective key countries).
7.To analyze competitive developments such as expansions, agreements, new product launches, and acquisitions in the market.
8.To strategically profile the key players and comprehensively analyze their growth strategies.

Target Audience
> Webtoons companies
> Research organizations
> Government Organizations
> Research/Consultancy firms

Table of Contents

1 REPORT OVERVIEW 1
1.1 Study Scope 1
1.2 Market Analysis by Type 1
1.2.1 Global Webtoons Market Size Growth Rate by Type: 2017 VS 2021 VS 2028 1
1.2.2 Subscription Based 3
1.2.3 Advertisement Based 3
1.3 Market by Application 4
1.3.1 Global Webtoons Market Share by Application: 2017 VS 2021 VS 2028 4
1.3.2 Mobile Phone 5
1.3.3 PC/Notebook 6
1.3.4 Tablet Computer 6
1.3.5 Others 7
1.4 Study Objectives 7
1.5 Years Considered 8
2 GLOBAL GROWTH TRENDS 9
2.1 Global Webtoons Market Perspective (2017-2028) 9
2.2 Webtoons Growth Trends by Region 10
2.2.1 Webtoons Market Size by Region: 2017 VS 2021 VS 2028 10
2.2.2 Webtoons Historic Market Size by Region (2017-2022) 11
2.2.3 Webtoons Forecasted Market Size by Region (2023-2028) 12
2.3 Webtoons Market Dynamics 13
2.3.1 Webtoons Industry Trends 13
2.3.2 Webtoons Market Drivers 13
2.3.3 Webtoons Market Challenges 14
2.3.4 Webtoons Market Restraints 14
3 COMPETITION LANDSCAPE BY KEY PLAYERS 15
3.1 Global Top Webtoons Players by Revenue 15
3.1.1 Global Top Webtoons Players by Revenue (2019-2022) 15
3.1.2 Global Webtoons Revenue Market Share by Players (2019-2022) 16
3.2 Global Webtoons Market Share by Company Type (Tier 1, Tier 2, and Tier 3) 19
3.3 Players Covered: Ranking by Webtoons Revenue 20
3.4 Global Webtoons Market Concentration Ratio 21
3.4.1 Global Webtoons Market Concentration Ratio (CR5) 21
3.4.2 Global Top 3 and Top 5 Companies by Webtoons Revenue in 2021 22
3.5 Webtoons Key Players Head office and Area Served 22
3.6 Establish Date of Key Webtoons Players 23
3.7 Mergers & Acquisitions, Expansion Plans 24
4 WEBTOONS BREAKDOWN DATA BY TYPE 30
4.1 Global Webtoons Historic Market Size by Type (2017-2022) 30
4.2 Global Webtoons Forecasted Market Size by Type (2023-2028) 30
5 WEBTOONS BREAKDOWN DATA BY APPLICATION 32
5.1 Global Webtoons Historic Market Size by Application (2017-2022) 32
5.2 Global Webtoons Forecasted Market Size by Application (2023-2028) 32
6 NORTH AMERICA 34
6.1 North America Webtoons Market Size (2017-2028) 34
6.2 North America Webtoons Market Size by Type 34
6.2.1 North America Webtoons Market Size by Type (2017-2022) 34
6.2.2 North America Webtoons Market Size by Type (2023-2028) 34
6.2.3 North America Webtoons Market Share by Type (2017-2028) 35
6.3 North America Webtoons Market Size by Application 35
6.3.1 North America Webtoons Market Size by Application (2017-2022) 35
6.3.2 North America Webtoons Market Size by Application (2023-2028) 36
6.3.3 North America Webtoons Market Share by Application (2017-2028) 36
6.4 North America Webtoons Market Size by Country 36
6.4.1 North America Webtoons Market Size by Country (2017-2022) 36
6.4.2 North America Webtoons Market Share by Country (2023-2028) 37
6.4.3 United States 38
6.4.4 Canada 38
7 EUROPE 39
7.1 Europe Webtoons Market Size (2017-2028) 39
7.2 Europe Webtoons Market Size by Type 39
7.2.1 Europe Webtoons Market Size by Type (2017-2022) 39
7.2.2 Europe Webtoons Market Size by Type (2023-2028) 39
7.2.3 Europe Webtoons Market Share by Type (2017-2028) 40
7.3 Europe Webtoons Market Size by Application 40
7.3.1 Europe Webtoons Market Size by Application (2017-2022) 40
7.3.2 Europe Webtoons Market Size by Application (2023-2028) 41
7.3.3 Europe Webtoons Market Share by Application (2017-2028) 41
7.4 Europe Webtoons Market Size by Country 41
7.4.1 Europe Webtoons Market Size by Country (2017-2022) 41
7.4.2 Europe Webtoons Market Size by Country (2023-2028) 42
7.4.3 Germany 43
7.4.4 France 43
7.4.5 U.K. 44
7.4.6 Italy 44
7.4.7 Russia 45
7.4.8 Nordic Countries 45
8 ASIA-PACIFIC 46
8.1 Asia-Pacific Webtoons Market Size (2017-2028) 46
8.2 Asia-Pacific Webtoons Market Size by Type 46
8.2.1 Asia-Pacific Webtoons Market Size by Type (2017-2022) 46
8.2.2 Asia-Pacific Webtoons Market Size by Type (2023-2028) 46
8.2.3 Asia-Pacific Webtoons Market Share by Type (2017-2028) 47
8.3 Asia-Pacific Webtoons Market Size by Application 47
8.3.1 Asia-Pacific Webtoons Market Size by Application (2017-2022) 47
8.3.2 Asia-Pacific Webtoons Market Size by Application (2023-2028) 48
8.3.3 Asia-Pacific Webtoons Market Share by Application (2017-2028) 48
8.4 Asia-Pacific Webtoons Market Size by Region 48
8.4.1 Asia-Pacific Webtoons Market Size by Region (2017-2022) 48
8.4.2 Asia-Pacific Webtoons Market Size by Region (2023-2028) 49
8.4.3 China 50
8.4.4 Japan 50
8.4.5 South Korea 51
8.4.6 Southeast Asia 51
8.4.7 India 52
8.4.8 Australia 52
9 LATIN AMERICA 53
9.1 Latin America Webtoons Market Size (2017-2028) 53
9.2 Latin America Webtoons Market Size by Type 53
9.2.1 Latin America Webtoons Market Size by Type (2017-2022) 53
9.2.2 Latin America Webtoons Market Size by Type (2023-2028) 53
9.2.3 Latin America Webtoons Market Share by Type (2017-2028) 54
9.3 Latin America Webtoons Market Size by Application 54
9.3.1 Latin America Webtoons Market Size by Application (2017-2022) 54
9.3.2 Latin America Webtoons Market Size by Application (2023-2028) 55
9.3.3 Latin America Webtoons Market Share by Application (2017-2028) 55
9.4 Latin America Webtoons Market Size by Country 55
9.4.1 Latin America Webtoons Market Size by Country (2017-2022) 55
9.4.2 Latin America Webtoons Market Size by Country (2023-2028) 56
9.4.3 Mexico 57
9.4.4 Brazil 57
10 MIDDLE EAST & AFRICA 58
10.1 Middle East & Africa Webtoons Market Size (2017-2028) 58
10.2 Middle East & Africa Webtoons Market Size by Type 58
10.2.1 Middle East & Africa Webtoons Market Size by Type (2017-2022) 58
10.2.2 Middle East & Africa Webtoons Market Size by Type (2023-2028) 58
10.2.3 Middle East & Africa Webtoons Market Share by Type (2017-2028) 59
10.3 Middle East & Africa Webtoons Market Size by Application 59
10.3.1 Middle East & Africa Webtoons Market Size by Application (2017-2022) 59
10.3.2 Middle East & Africa Webtoons Market Size by Application (2023-2028) 60
10.3.3 Middle East & Africa Webtoons Market Share by Application (2017-2028) 60
10.4 Middle East & Africa Webtoons Market Size by Country 60
10.4.1 Middle East & Africa Webtoons Market Size by Country (2017-2022) 60
10.4.2 Middle East & Africa Webtoons Market Size by Country (2023-2028) 61
10.4.3 Turkey 62
10.4.4 Saudi Arabia 62
10.4.5 UAE 63
11 KEY PLAYERS PROFILES 64
11.1 Naver 64
11.1.1 Naver Company Details 64
11.1.2 Naver Business Overview 64
11.1.3 Naver Webtoons Introduction 65
11.1.4 Naver Revenue in Webtoons Business (2019-2022) 65
11.1.5 Naver Recent Development 66
11.2 Kakao 67
11.2.1 Kakao Company Details 67
11.2.2 Kakao Business Overview 67
11.2.3 Kakao Webtoons Introduction 68
11.2.4 Kakao Revenue in Webtoons Business (2019-2022) 69
11.2.5 Kakao Recent Development 69
11.3 Lezhin Entertainment (KidariStudio) 70
11.3.1 Lezhin Entertainment (KidariStudio) Company Details 70
11.3.2 Lezhin Entertainment (KidariStudio) Business Overview 71
11.3.3 Lezhin Entertainment (KidariStudio) Webtoons Introduction 72
11.3.4 Lezhin Entertainment (KidariStudio) Revenue in Webtoons Business (2019-2022) 72
11.3.5 Lezhin Entertainment (KidariStudio) Recent Development 73
11.4 Tappytoon 74
11.4.1 Tappytoon Company Details 74
11.4.2 Tappytoon Business Overview 74
11.4.3 Tappytoon Webtoons Introduction 75
11.4.4 Tappytoon Revenue in Webtoons Business (2019-2022) 75
11.4.5 Tappytoon Recent Development 76
11.5 ToryComics 76
11.5.1 ToryComics Company Details 77
11.5.2 ToryComics Business Overview 77
11.5.3 ToryComics Webtoons Introduction 78
11.5.4 ToryComics Revenue in Webtoons Business (2019-2022) 78
11.6 Toomics Global 79
11.6.1 Toomics Global Company Details 79
11.6.2 Toomics Global Business Overview 80
11.6.3 Toomics Global Webtoons Introduction 80
11.6.4 Toomics Global Revenue in Webtoons Business (2019-2022) 80
11.6.5 Toomics Global Recent Development 81
11.7 Ridibooks (RIDI Corp) 82
11.7.1 Ridibooks (RIDI Corp) Company Details 82
11.7.2 Ridibooks (RIDI Corp) Business Overview 82
11.7.3 Ridibooks (RIDI Corp) Webtoons Introduction 83
11.7.4 Ridibooks (RIDI Corp) Revenue in Webtoons Business (2019-2022) 83
11.7.5 Ridibooks (RIDI Corp) Recent Development 84
11.8 KidariStudio 84
11.8.1 KidariStudio Company Details 85
11.8.2 KidariStudio Business Overview 85
11.8.3 KidariStudio Webtoons Introduction 86
11.8.4 KidariStudio Revenue in Webtoons Business (2019-2022) 86
11.8.5 KidariStudio Recent Development 87
11.9 Webtoon Factory 88
11.9.1 Webtoon Factory Company Details 88
11.9.2 Webtoon Factory Business Overview 88
11.9.3 Webtoon Factory Webtoons Introduction 89
11.9.4 Webtoon Factory Revenue in Webtoons Business (2019-2022) 89
11.9.5 Webtoon Factory Recent Development 90
11.10 Izneo Webtoon 90
11.10.1 Izneo Webtoon Company Details 91
11.10.2 Izneo Webtoon Business Overview 91
11.10.3 Izneo Webtoon Webtoons Introduction 92
11.10.4 Izneo Webtoon Revenue in Webtoons Business (2019-2022) 92
11.10.5 Izneo Webtoon Recent Development 93
11.11 Stela 93
11.11.1 Stela Company Details 94
11.11.2 Stela Business Overview 94
11.11.3 Stela Webtoons Introduction 95
11.11.4 Stela Revenue in Webtoons Business (2019-2022) 95
11.11.5 Stela Recent Development 96
11.12 Graphite 96
11.12.1 Graphite Company Details 96
11.12.2 Graphite Business Overview 97
11.12.3 Graphite Webtoons Introduction 98
11.12.4 Graphite Revenue in Webtoons Business (2019-2022) 98
11.12.5 Graphite Recent Development 99
11.13 Webcomics (SideWalk Group) 100
11.13.1 Webcomics (SideWalk Group) Company Details 100
11.13.2 Webcomics (SideWalk Group) Business Overview 100
11.13.3 Webcomics (SideWalk Group) Webtoons Introduction 101
11.13.4 Webcomics (SideWalk Group) Revenue in Webtoons Business (2019-2022) 101
11.14 SPOTTOON (Rolling Story) 102
11.14.1 SPOTTOON (Rolling Story) Company Details 102
11.14.2 SPOTTOON (Rolling Story) Business Overview 103
11.14.3 SPOTTOON (Rolling Story) Webtoons Introduction 103
11.14.4 SPOTTOON (Rolling Story) Revenue in Webtoons Business (2019-2022) 104
11.15 Mr Blue 104
11.15.1 Mr Blue Company Details 104
11.15.2 Mr Blue Business Overview 105
11.15.3 Mr Blue Webtoons Introduction 106
11.15.4 Mr Blue Revenue in Webtoons Business (2019-2022) 106
11.16 Marvel Unlimited 107
11.16.1 Marvel Unlimited Company Details 107
11.16.2 Marvel Unlimited Business Overview 108
11.16.3 Marvel Unlimited Webtoons Introduction 108
11.16.4 Marvel Unlimited Revenue in Webtoons Business (2019-2022) 109
11.16.5 Marvel Unlimited Recent Development 109
11.17 Tencent 110
11.17.1 Tencent Company Details 110
11.17.2 Tencent Business Overview 110
11.17.3 Tencent Webtoons Introduction 111
11.17.4 Tencent Revenue in Webtoons Business (2019-2022) 111
11.17.5 Tencent Recent Development 112
11.18 Amazia 113
11.18.1 Amazia Company Details 113
11.18.2 Amazia Business Overview 113
11.18.3 Amazia Webtoons Introduction 114
11.18.4 Amazia Revenue in Webtoons Business (2019-2022) 114
11.19 Shuueisha 115
11.19.1 Shuueisha Company Details 115
11.19.2 Shuueisha Business Overview 116
11.19.3 Shuueisha Webtoons Introduction 116
11.19.4 Shuueisha Revenue in Webtoons Business (2019-2022) 117
11.20 Comico (NHN) 117
11.20.1 Comico (NHN) Company Details 117
11.20.2 Comico (NHN) Business Overview 118
11.20.3 Comico (NHN) Webtoons Introduction 119
11.20.4 Comico (NHN) Revenue in Webtoons Business (2019-2022) 119
11.20.5 Comico (NHN) Recent Development 120
11.21 U17 120
11.21.1 U17 Company Details 121
11.21.2 U17 Business Overview 121
11.21.3 U17 Webtoons Introduction 122
11.21.4 U17 Revenue in Webtoons Business (2019-2022) 123
11.22 MangaToon 123
11.22.1 MangaToon Company Details 123
11.22.2 MangaToon Business Overview 124
11.22.3 MangaToon Webtoons Introduction 124
11.22.4 MangaToon Revenue in Webtoons Business (2019-2022) 124
11.23 Kuaikan 125
11.23.1 Kuaikan Company Details 125
11.23.2 Kuaikan Business Overview 126
11.23.3 Kuaikan Webtoons Introduction 126
11.23.4 Kuaikan Revenue in Webtoons Business (2019-2022) 127
11.23.5 Kuaikan Recent Development 127
11.24 Dongman Entertainment 128
11.24.1 Dongman Entertainment Company Details 128
11.24.2 Dongman Entertainment Business Overview 128
11.24.3 Dongman Entertainment Webtoons Introduction 129
11.24.4 Dongman Entertainment Revenue in Webtoons Business (2019-2022) 129
11.25 Manman Manhua 130
11.25.1 Manman Manhua Company Details 130
11.25.2 Manman Manhua Business Overview 131
11.25.3 Manman Manhua Webtoons Introduction 131
11.25.4 Manman Manhua Revenue in Webtoons Business (2019-2022) 131
11.26 Bilibili Comics 132
11.26.1 Bilibili Comics Company Details 132
11.26.2 Bilibili Comics Business Overview 133
11.26.3 Bilibili Comics Webtoons Introduction 133
11.26.4 Bilibili Comics Revenue in Webtoons Business (2019-2022) 133
11.26.5 Bilibili Comics Recent Development 134
12 ANALYST'S VIEWPOINTS/CONCLUSIONS 135
13 APPENDIX 136
13.1 Research Methodology 136
13.1.1 Methodology/Research Approach 136
13.1.2 Data Source 139
13.2 Disclaimer 142

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QY Research released a latest market research report on the Global Webtoons market, which is segmented by region (country), company, by Purity, and by Application. Players, stakeholders, and other participants in the global Webtoons market will be able to gain the upper hand as they use the report as a powerful resource. The segmental analysis focuses on sales, revenue and forecast by region (country) and by Application for the period 2017-2028.

QYResearch founded in California, USA in 2007.It is a leading global market research and consulting company. With over 15 years' experience and professional research team in various cities over the world，QY Research focuses on management consulting, database and seminar services, IPO consulting, industry chain research and customized research to help our clients in providing non-linear revenue model and make them successful. We are globally recognized for our expansive portfolio of services, good corporate citizenship, and our strong commitment to sustainability. Up to now, we have cooperated with more than 59,000 clients across five continents. Let's work closely with you and build a bold and better future.

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